cv
education
2015 — BFA in Drama + Minor in Performance Studies, New York University, Tisch School of the Arts: Experimental Theatre Wing, NYC; The Royal Academy of Dramatic Art, London; Commedia Dell’Arte, Florence; Stella Adler Studio of Acting, NYC
2022 — Certificate in Graphic Design, Vermont Community College
acting
Richard III — Lord Stanley, GreenStage | Seattle, WA | 2025
Alice in Arabialand — Lisha, Annex Theatre | Seattle, WA | 2025
(((god/hole))) — Animate, The Shattered Glass Project | Seattle, WA | 2025
CASSANDRA — Athena, The Vera Project | Seattle, WA | 2025
Anyone Can Whistle — Ensemble, Reboot Theatre | Seattle, WA | 2025
Variety Show Play Readings — Various Roles, Drunken Owl Theater | Seattle, WA | 2025
Finding Neil Patrick Harris (Reading) — Lucky/Lucy/Lucio, Bennington Theater | Bennington, VT | 2023
A Brand New Day: Broadway Songs of Hope — Featured Soloist, Bennington TheaterBennington Theater | Bennington, VT | 2023
The Mueller Report: A Radio Dramatization — Various Lead Roles | Podcast | 2019
A World Where — Various Lead Roles | Podcast | 2018
Houseworld — Charlie, Houseworld Immersive | Brooklyn, NY | 2015
Romeo & Juliet — Juliet/Ensemble, Royal Academy of Dramatic Art, | London, UK | 2013
Twelfth Night — Malvolio/Feste/Ensemble, Royal Academy of Dramatic Art, | London, UK | 2013
Don Giovanni — Zanni/Ensemble, Villa La Pietra Theatre Festival | Florence, Italy | 2013
A Midsummer Night’s Dream — Snug/Fairy, Hamptons Independent Theatre Festival, | Bridgehampton, NY | 2012
theatremaking
Smart Home (Short Play)—Director, Left Blank Productions, Seattle 2025
The How & The Why—Stage Manager, Artemis Theatre Project, Seattle 2025
SLIDESHOW — Co-Director, Playwright, Stage Manager, Bennington Theater, 2022
A Brand New Day: Broadway Songs of Hope — Set Designer, Bennington Theater, 2022
Woyzeck — Production Stage Manager, Lee Strasberg Institute for Theatre and Film, 2017
The Mary Jo Camel Show: Vitals — Stage Manager, Ars Nova ANT Fest, 2016
You’re Going to Hell if You Laugh — Director + Co-Creator, Prelude Festival 2017, Dixon Place 2016
THUD! — Director, NYC International Fringe Festival, 2016
Perfect Fifths — Director + Choreographer, John Drew Theatre Lab at Guid Hall, 2016
EVE — Assistant Director, The Gym at Judson Church 2015
All My Sons — Assistant Director, John Drew Theatre at Guild Hall 2015
podcasts
The Mueller Report: A Radio Dramatization — Co-Creator, Director , Writer+ Star
A World Where — Co-Creator, Director + Star
film & tv production
Ramy (Season 2) — Art Production Assistant; Production Design by Grace Yun; A24 + Hulu
Blue 2020 (short) — Director + Executive Producer; Produced by Vanessa Haroutunian
FLOCK 2019 (short) — Production Designer; Directed by Ariel Mahler, Co-Produced by Vanessa Haroutunian
High Fidelity (Season 1) — Set Decoration Production Assistant; Hulu
Half Empty (Pilot) — Art Production Assistant; Amazon
The Smell of Smoke 2019 (short) — Set PA; Directed by Spring Sutter; Fiona Media
Y: The Last Man (Pilot) — Production Secretary; FX
Once Upon a Time in Staten Island 2020 (feature) — Office Production Assistant; Directed by James Demonaco; Blumhouse Productions
Marriage Story 2019 (feature) — Production Secretary, NY Unit; Directed by Noah Baumbach; Netflix
Green Book 2018 (feature) — Office PA, 2nd NY Unit; by Peter Farrelly; Participant Media
internships
Dixon Place, NYC — Production Internship 2015-2016
Southampton Writers Conference, Southampton, NY — Theatre Production Internship 2012
panels
Podtales 2019 — Directing for Audio; Voice, Voice Acting + Identity
press
BRATTLEBORO REFORMER: Bennington Community Theater shines with ‘Slideshow’
BERKSHIRES ON STAGE: REVIEW: “Slideshow” At Bennington Community Theater
BTW BERKSHIRES: Slideshow plays imagine depths in contemporary families
DEADLINE: Inside Out LGBTQ Film Festival Unveils Recipients For Re:Focus Emergency Relief Fund
BELLO COLLECTIVE: #86: On Road Trips We Podcast
WIL WILLIAMS: A World Where Gives Sci-Fi Chills Close to This World Here
THEATRE IN THE NOW: Spotlight on… HK Goldstein
VARIETY: 11 Shows to See at the New York International Fringe Festival 2016
Photo by Easton Carter Angle